Pitch Tables of Contents

Volume 1, Number 1 (Autumn 1986)

Everything Goes: Johnny Reinhard; p. 2
A New Work by Lou Harrison: Robert Jurgrau; p. 3
Just Intonation in Modern Music: Jon Catler; pp. 4-5
Computers, Digital Synthesizers, and Microtonality: Henry Lowengard; pp. 6-7
Busoni’s Postscript: Report on the Division of the Whole Tone into Three Parts: Ferruccio Busoni; p. 8
Postscript to Busoni’s Postscript: Ivor Darreg; pp. 8-9
Micro-Notes: David Galt; p. 9
Show Horses in the Concert Ring: Harry Partch; pp. 10-13
Review of “Microtonal Instruments,” by Hugh Davies, in The New Grove Dictionary of Musical Instruments: Joel Mandelbaum; pp. 14-15
AFMM History: Johnny Reinhard; p. 16

Volume 1, Number 2 (Summer 1987)

The Golden Scale: Jacques Dudon; pp. 1-7
Is This the Lost Music of the Spheres?: Charles E. H. Lucy; pp. 8-11
An account of the Discovery of Musick (1775): John Harrison; pp. 12-14
Psychoacoustics: Rudolf Rasch; pp. 15-20
Computers, Digital Synthesizers, MIDI, and Microtonality: Part II: Henry Lowengard; pp. 21-25
Bach’s Tuning: Johnny Reinhard; pp. 26-38
Microtones and Madness: Review of Songs of Insanity, by Harold Seletsky: Robert Jurgrau; pp. 39-40
Review of The Structure of Recognizable Diatonic Tunings, by Easley Blackwood: Joel Mandelbaum; pp. 41-43
New Wave in the New Age: Review of Sister, by Sonic Youth: Merideth K. Genin; p. 44
Adriaan Daniel Fokker (1887-1972): Joel Mandelbaum; p. 45
Letter: Hugh Davies; p. 46
Discography: Johnny Reinhard; pp. 47-53
Cassettography: Johnny Reinhard; p. 54
Bibliography: Johnny Reinhard; pp. 55-111
American Festival of Microtonal Music Programs (1981-1987): Johnny Reinhard; pp. 112-131

Volume 1, Number 3 (Winter 1988-89)

Glyptodon (sound recording): Skip La Plante
Composition For Sheng (1985) (sound recording): Bradford Catler
Religione est une Salope (1981) (sound recording): Jon Catler
In the Springtime on the South Side of the Yangtze Kiang (1931) (sound recording): Harry Partch
Composition opus 43 pour Quatuor a Cordes dans l’echelle de Quarts de Tons (sound recording): Ivan Wyschnegradsky
Presto (1944) (sound recording): Bela Bartok
Walking on a Chinese Moon (sound recording): Jeff Stayton
Will the Circle Be Unbroken (sound recording): Mark Rankin
Symphonietta (extract) (sound recording): Johnny Reinhard
December, 1942 (sound recording): Harry Partch
Right-hand Pentachord Variations (sound recording): Pete Rose
Exorcism (1971) (sound recording): Harold Seletsky
Lure (sound recording): Paul Gallagher
Country Blues No. 2 (1942) (sound recording): Muddy Waters

Volume 1, Number 4 (Spring 1990)

Foreword: Johnny Reinhard; p. 1
Three Asymmetric Divisions of the Octave: Wendy Carlos; pp. 2-3
Maqam: Middle Eastern Tuning: Johnny Reinhard; pp. 4-9
Interview with John Cage: Mitch Corber and Arleen Schloss; pp. 10-15
Dual Arithmetic: A system of pure mathematics redefined and applied to the generation of Just chords: Thomas Smith; pp. 16-18
Review of Microtonal MIDI Terminal, by Denny Genovese: Steve Kaufman; p. 19
Review of Selected Musical Compositions (1948-1972), by Adriaan Daniël Fokker, edited by Rudolf Rasch: M. Joel Mandelbaum; pp. 20-21
Review of Tone Over Tone, by Loretta Goldberg: Robert Jurgrau; pp. 22-23
Review of The Well-Tuned Piano 81 X 25 6:17:50–11:18:59 NYC, by La Monte Young: Johnny Reinhard; pp. 24-25
Composing with Quartertones: Tui St. George Tucker; pp. 26-27
Alto Recorder Fingering Chart Showing Quarter Tones (chart): Tui St. George Tucker; p. 28
The Recorder: For the Composer: Bob Margolis; pp. 29-32
Recorder Tone: Elmer Jerome; p. 33
12-Tone Just for Recorder: Timothy Hill; p. 34
Fingerings (chart): Johnny Reinhard; p. 35
Microtonal Flute Fingerings: An Overview: Andrew Bolotowsky; p. 36
Microtonal Fingerings for Flute: A Comprehensive List: John Fonville; pp. 37-54
Glissandi for Flute (chart): Robert Dick; pp. 55-62
Flute Fingerings by Frequency Bandwidths (chart): Stuart Quimby; pp. 63-70
Just Intonation Flute Fingerings (chart): Stefani Starin; pp. 71-73
Just Intonation Flute Fingerings on C (chart): Rheva Kaplan; p. 74
Flute in 72-Tone (chart): David Whiteside; pp. 75-79
Microtonal Oboe (chart): Matthew Sullivan; pp. 80-83
Microtonal Bassoon (chart): Johnny Reinhard; pp. 84-87
Quartertone Fingerings for the Boehm System Clarinet (chart): Harold Seletsky; pp. 88-92
Microtonal Chart for Clarinet (chart): E. Michael Richards; pp. 93-121
Clarinet in 72-Tone (chart): Ian Greitzer; pp. 122-124
French Horn Fingering Chart (chart): Ezra Sims; pp. 125-126
Just Intonation Horn (chart): Francis Orval; p. 127
Microtonal Templates for Guitar (chart): Mark Rankin; pp. 128-129
The Contemporary Saxophonist (chart): Steve Kaufman; pp. 130-132
Saxophone in 72-Tone (chart): Ken Radnofsky; pp. 133-134
Who’s Who in Microtonality: Johnny Reinhard; pp. 135-160
Fingerography: Johnny Reinhard; pp. 161-162

Complete through Volume 1, Number 4 (Spring 1990)

Volume 1, Number 1 (Autumn 1986)

Volume 1, Number 2 (Summer 1987)

Volume 1, Number 3 (Winter 1988-89)

Volume 1, Number 4 (Spring 1990)