Pitch Author Index

Bartok, Bela: Presto (1944) (sound recording); Volume 1, Number 3
Bolotowsky, Andrew: Microtonal Flute Fingerings: An Overview; Volume 1, Number 4, p. 36
Busoni, Ferruccio: Busoni’s Postscript: Report on the Division of the Whole Tone into Three Parts; Volume 1, Number 1, p. 8
Carlos, Wendy: Three Asymmetric Divisions of the Octave; Volume 1, Number 4, pp. 2-3
Catler, Bradford: Composition For Sheng (1985) (sound recording); Volume 1, Number 3
Catler, Jon: Just Intonation in Modern Music; Volume 1, Number 1, pp. 4-5; Religione est une Salope (1981) (sound recording); Volume 1, Number 3
Corber, Mitch, and Arleen Schloss: Interview with John Cage; Volume 1, Number 4, pp. 10-15
Darreg, Ivor: Postscript to Busoni’s Postscript; Volume 1, Number 1, pp. 8-9
Davies, Hugh: Letter; Volume 1, Number 2, p. 46
Dick, Robert: Glissandi for Flute (chart); Volume 1, Number 4, pp. 55-62
Dudon, Jacques: The Golden Scale; Volume 1, Number 2, pp. 1-7
Fonville, John: Microtonal Fingerings for Flute: A Comprehensive List; Volume 1, Number 4, pp. 37-54
Gallagher, Paul: Lure (sound recording); Volume 1, Number 3
Galt, David: Micro-Notes; Volume 1, Number 1, p. 9
Genin, Merideth K.: New Wave in the New Age: Review of Sister, by Sonic Youth; Volume 1, Number 2, p. 44
Greitzer, Ian: Clarinet in 72-Tone (chart); Volume 1, Number 4, pp. 122-124
Harrison, John: An account of the Discovery of Musick (1775); Volume 1, Number 2, pp. 12-14
Hill, Timothy: 12-Tone Just for Recorder; Volume 1, Number 4, p. 34
Jerome, Elmer: Recorder Tone; Volume 1, Number 4, p. 33
Jurgrau, Robert: Microtones and Madness: Review of Songs of Insanity, by Harold Seletsky; Volume 1, Number 2, pp. 39-40; A New Work by Lou Harrison; Volume 1, Number 1, p. 3; Review of Tone Over Tone, by Loretta Goldberg; Volume 1, Number 4, pp. 22-23
Kaplan, Rheva: Just Intonation Flute Fingerings on C (chart); Volume 1, Number 4, p. 74
Kaufman, Steve: The Contemporary Saxophonist (chart); Volume 1, Number 4, pp. 130-132; Review of Microtonal MIDI Terminal, by Denny Genovese; Volume 1, Number 4, p. 19
La Plante, Skip: Glyptodon (sound recording); Volume 1, Number 3
Lowengard, Henry: Computers, Digital Synthesizers, and Microtonality; Volume 1, Number 1, pp. 6-7; Computers, Digital Synthesizers, MIDI, and Microtonality: Part II; Volume 1, Number 2, pp. 21-25
Lucy, Charles E. H.: Is This the Lost Music of the Spheres?; Volume 1, Number 2, pp. 8-11
Mandelbaum, M. Joel: Adriaan Daniel Fokker (1887-1972); Volume 1, Number 2, p. 45; Review of “Microtonal Instruments,” by Hugh Davies, in The New Grove Dictionary of Musical Instruments; Volume 1, Number 1, pp. 14-15; Review of Selected Musical Compositions (1948-1972), by Adriaan Daniël Fokker, edited by Rudolf Rasch; Volume 1, Number 4, pp. 20-21; Review of The Structure of Recognizable Diatonic Tunings, by Easley Blackwood; Volume 1, Number 2, pp. 41-43
Margolis, Bob: The Recorder: For the Composer; Volume 1, Number 4, pp. 29-32
Orval, Francis: Just Intonation Horn (chart); Volume 1, Number 4, p. 127
Partch, Harry: December, 1942 (sound recording); Volume 1, Number 3; In the Springtime on the South Side of the Yangtze Kiang (1931) (sound recording); Volume 1, Number 3; Show Horses in the Concert Ring; Volume 1, Number 1, pp. 10-13
Quimby, Stuart: Flute Fingerings by Frequency Bandwidths (chart); Volume 1, Number 4, pp. 63-70
Radnofsky, Ken: Saxophone in 72-Tone (chart); Volume 1, Number 4, pp. 133-134
Rankin, Mark: Microtonal Templates for Guitar (chart); Volume 1, Number 4, pp. 128-129; Will the Circle Be Unbroken (sound recording); Volume 1, Number 3
Rasch, Rudolf: Psychoacoustics; Volume 1, Number 2, pp. 15-20
Reinhard, Johnny: AFMM History; Volume 1, Number 1, p. 16; American Festival of Microtonal Music Programs (1981-1987); Volume 1, Number 2, pp. 112-131; Bach’s Tuning; Volume 1, Number 2, pp. 26-38; Bibliography; Volume 1, Number 2, pp. 55-111; Cassettography; Volume 1, Number 2, p. 54; Discography; Volume 1, Number 2, pp. 47-53; Everything Goes; Volume 1, Number 1, p. 2; Fingerings (chart); Volume 1, Number 4, p. 35; Fingerography; Volume 1, Number 4, pp. 161-162; Foreword; Volume 1, Number 4, p. 1; Maqam: Middle Eastern Tuning; Volume 1, Number 4, pp. 4-9; Microtonal Bassoon (chart); Volume 1, Number 4, pp. 84-87; Review of The Well-Tuned Piano 81 X 25 6:17:50–11:18:59 NYC, by La Monte Young; Volume 1, Number 4, pp. 24-25; Symphonietta (extract) (sound recording); Volume 1, Number 3; Who’s Who in Microtonality; Volume 1, Number 4, pp. 135-160
Richards, E. Michael: Microtonal Chart for Clarinet (chart); Volume 1, Number 4, pp. 93-121
Rose, Pete: Right-hand Pentachord Variations (sound recording); Volume 1, Number 3
Seletsky, Harold: Exorcism (1971) (sound recording); Volume 1, Number 3; Quartertone Fingerings for the Boehm System Clarinet (chart); Volume 1, Number 4, pp. 88-92
Sims, Ezra: French Horn Fingering Chart (chart); Volume 1, Number 4, pp. 125-126
Smith, Thomas: Dual Arithmetic: A system of pure mathematics redefined and applied to the generation of Just chords; Volume 1, Number 4, pp. 16-18
Starin, Stefani: Just Intonation Flute Fingerings (chart); Volume 1, Number 4, pp. 71-73
Stayton, Jeff: Walking on a Chinese Moon (sound recording); Volume 1, Number 3
Sullivan, Matthew: Microtonal Oboe (chart); Volume 1, Number 4, pp. 80-83
Tucker, Tui St. George: Alto Recorder Fingering Chart Showing Quarter Tones (chart); Volume 1, Number 4, p. 28; Composing with Quartertones; Volume 1, Number 4, pp. 26-27
Waters, Muddy: Country Blues No. 2 (1942) (sound recording); Volume 1, Number 3
Whiteside, David: Flute in 72-Tone (chart); Volume 1, Number 4, pp. 75-79
Wyschnegradsky, Ivan: Composition opus 43 pour Quatuor a Cordes dans l’echelle de Quarts de Tons (sound recording); Volume 1, Number 3

Complete through Volume 1, Number 4 (Spring 1990)